撮影:山崎玲子
1962 31st
International Art Exhibition
La Biennale di Venezia

The Japan Pavilion presented an exhibition featuring Tadashi Sugimata, Kinuko Emi, Ryokichi Mukai, Minoru Kawabata, and Kumi Sugai. In the exhibition catalogue, Atsuo Imaizumi, who was appointed as Commissioner, described the five selected artists as those who rediscovered and reflected traditional Japanese art in their work.

Emi became the first Japanese female artist to take part in the Venice Biennale. While influenced by prehistoric cave paintings and Western abstract paintings, Emi continued to explore her own unique means of expression, and exhibited a series of oil paintings entitled "Works" featuring subdued colors and thick textures.

Kawabata, who had traveled to the United States in 1958 and based his life and practice in New York, exhibited eight works including "Vivid Red" (1961), which were characterized by their vivid use of color and brush strokes reminiscent of sho (traditional Japanese calligraphy).

Sugai submitted work from Paris where was resident at the time, presenting dynamic abstract paintings composed of luculent tones and forms. For this exhibition, Sugai received the "David E. Bright Foundation Award", which is awarded to artists under the age of 45.

Sugimata presented his “Kikko” (Tortoiseshell) series that boldly depicts hexagonal motifs inspired the patterns of a Tortoiseshell, while Mukai exhibited a series of his early representative work "Ant's Castle", which likens the ephemeral nature of human activity to an ant's nest.

Courtesy of
Courtesy of "The Gendai-no-me" no. 92, Newsletter of the National Museum of Modern Art, Tokyo
Photo by Reiko Yamazaki
Photo by Reiko Yamazaki

The Japan Pavilion

Artists
Tadashi Sugimata | Kinuko Emi | Ryokichi Mukai | Minoru Kawabata | Kumi Sugai
Commissioner
Atsuo Imaizumi
Assistant Commissioner
Jun Ebara

31st International Art Exhibition
La Biennale di Venezia

Theme
Curator
Gian Alberto Dell'Acqua
Dates
June 16 - October 7, 1962
All texts are based on information at the time.
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